I'm Seb, a 17 year old aspiring music journalist. If you dig what I write let me know and share it with your friends!
Twitter: @Get_WhatYouGive email: sebwainwright@gmail.com
News has filtered through the rock world today of the passing of influential singer/songwriter Lou Reed. He was 71.
Reed's literary agent said he died of a "liver-related ailment".
While his original band The Velvet Underground did not achieve much commercial success whilst in action, the influence he and the band had on future generations was unparalleled. The Velvet Underground achieved its greatest success with their collaborations with artist Andy Warhol. The band were eventually inducted into the Rock and Roll Hall of Fame in 1996. Their mix up of music and art spurred Lou's career on and in turn inspired many future artists to take music and art in the same career. Misfits? Sex Pistols? Lady Gaga? Most likely all fans I'd say...
After splitting up The Velvet Underground in 1970 he went on to carve an illustrious solo career spanning 20 albums. It was during this time he wrote his most famous songs like Walk On The Wild Side and Perfect Day, all on the David Bowie produced album Transformer. Always up for new slants on his music, his last studio offering was a controversial one featuring Metallica with Lulu in 2012.
A self confessed drug user and binge drinker, he went through a liver transplant this year after previously cancelling tour dates.
He is survived by his second wife, Laurie Anderson.
R.I.P Lewis "Lou" Reed (March 2 1942 – October 27 2013)
Seb Wainwright
Texan metallers Upon A Burning Body have released a music video for their awesome single Texas Blood Money taken from 2013's RED.WHITE.GREEN. out now on Sumerian Records.
Filmed at this years Warped Tour at the (you guessed it) Texan dates, this song is a face melter. Not only is it filled with the biggest, thickest guitar riffs but also the types of sing-alongs many bands can even dream of getting the crowd involved in.
This band have something not many bands capture quite as well as they do. A personal recognition of who they are and where they come from. Seldom seen the metal world especially, where everyone supposedly hates their hometown with a passion, right? This San Antonio identity translates perfectly onto record too. El Mariachi is a song on this record that is a genuine, acoustic and brilliantly executed mariachi song. It feels neither out of place or useless. The band set themselves apart by doing just this.
I don't think I've set you up for just how heavy this is...
Check out the music video bellow by clicking on the link. DON'T FUCK WITH TEXAAAASSSSSSS:
Yesterday I visited UCA in Epsom. They are the university I am using the reviews on this blog to apply for. On the way back from said university, my family and I diverted into a suburb of London called Kingston-Upon-Thames. Now, anyone that has ever visited Kingston before will know where I went. A music fanatic in the middle of Kingston, just add two and two together, right? That's right, I took my first trip to Banquet Records.
Hallowed ground for many fans of up and coming music, it is what was formerly Beggars Banquet Records. Taking care of 80's greats like The Cult and, more recently The Strokes, Beggars Banquet faced bankruptcy in the early 2000's. After an ownership change, they bounced back to the nation leading record store that they are today. With regular in-stores, club nights and hosted gigs, they really are more than your local record shop. Whilst there I managed to get my hands on this...
Just a vinyl of a little band called The Wonder Years. You know them? Of course you do! If you don't, shame on you! A copy of Suburbia: I've Given You All and Now I'm Nothing was my purchase. Perhaps considered their defining moment, the band that started out as a joke then 6 years into their career turn out a sophomore concept album so dense and full of meaning, it rocked the underground music scene. The clever, perceptive and story telling lyrics from Dan "Soupy" Campbell struck a nerve with many who felt like "this generations Morgan Spurlock". Whether that be Morgan the innovative director or Morgan the chronic fast food eater (if you haven't seen Super Size Me, do. Truly eye opening.) was up to them. But that's the beauty of it. You will find a reference you can pick out as your own. The DIY recording sound and attitude to the band itself has earned the respect of fans the world over too. Their brand of emotive and leveled pop-punk truly changed the landscape of the scene.
Not only was this album a talking point for many people, the way in which it was released was certainly a major talking point too. I collect vinyls as you can see and this was an essential piece to put in my collection. For the simple, this record was in such high demand. The first pressing of around 2500 in various colours have disappeared into the midst of people's collections only to re-emerge on eBay for obscene prices. The second pressing, the clear variation which I now own, only had 30 left in stock in Banquet after 2 weeks of being on sale out of 1500. This record was a big deal.
This explosive trend continued with their latest record The Greatest Generation (my review of The Greatest Generation can be found by clicking here).
I shall be seeing TWY live for a double header spectacular next month when I see them in Cardiff for a Matinee show and evening show in the same day! Obviously, as you're all such nice people I'll do a lengthily feature on that. I personally can't wait and I hope you'll be smart enough to catch them live sometime in the future.
Architects have been busy holed up in Gothenburg, Sweden recording their sixth album at Studio Fredman. Well, today they announced it is scheduled for release in Spring of 2012 and according to the band is "sounding splendid - ya gonna love it."
But that's not all. They also announced they have put ink to paper on a new deal with none other than legendary punk label Epitaph Records! Simultaneous to this they have also singed with UNFD in Australia and New Damage Records in Canada!
ON TOP OF THAT in the same announcement they revealed a UK/Europe wide tour in support of the new album starting March 7th in Manchester. Who said good things come in small bunches!
Great to see to see the guys in Architects still working their asses off to put music out. expect a monster of a new album. Nothing less.
Architects UK & Ireland Tour Datesare as follows
Fri March 7th 2014 - MANCHESTER Academy 2 Sat March 8th 2014 - GLASGOW O2 ABC Sun March 9th 2014 - SHEFFIELD Leadmill Tue March 11th 2014 - CARDIFF Solus Wed March 12th 2014 - BIRMINGHAM Institute Fri March 14th 2014 - LONDON KOKO
So, I saw The Story So Far at Bristol's The Fleece last night. I got headwalked on and screamed lyrics in my friends face in an intimate venue. What could be better, right?
Openers Save Your Breath are on point more than ever before in their career. Being from South Wales myself like Save Your Breath, I have grown up the last four years watching this band grow themselves. The straight up, no nonsense pop-punk they now effortlessly generate is impossible not to like. Singer Kris Richards is now better at his live performances than ever too. Closer Nothing Worth Having Comes Easy you haven't already heard it is a must listen!
Main support Seahaven bring a wholly different atmosphere but thoroughly appreciated by a vast majority of the audience. The simple grooves and complex overlaying melody compliment each other in a live setting so well. Lead singer Kyle Soto's eerie vocals, sometimes lost in the mix, captivates many a listener, especially second song Black and White. Keeping a close eye on these guys for a new release soon.
Now then, The Story So Far. It seems to be a focal point of TSSF's music to be as effective played live as it is catchy and gritty on record. I tell you what, it works a charm. Right from the first line of opening song Right Here the band had a roomful of 400 people feeding off the palms of their hands. I'm not just talking about the gig I attended either, this happens universally. With the What You Don't See album tour cycle still running on all cylinders, "new" songs are dropped in the set list with a reception from the crowd like they were 5 years old. The band sound as tight as the day they left their garage and there's certainly not going to be a let up soon of that. Drummer Ryan Torf gets a personal kudos for the physical performance he has to put in every night behind that drum kit. Awesome stuff.
The crowd just go nuts at these gigs. Every lyric is sang right back to singer Parker Cannon's face. Crowd favourites like Quicksand and Mt. Diablo, I don't think I heard Parker's voice over the overbearing crowd raucously singing through every song. Stage dives and crowdsurfing left, right and centre, which is a given, you knew that? I wouldn't go as far as to so say that TSSF are a unique live band, there are many like them, but they certainly will be talking point with your friends for many months to come.
I'm not going to rate these, there's no need to. Just given you an insight what what these gigs are like, innit. Hope you liked my first live review, tell me if you did on twitter, yeah?
Next live gig for me is Heart Of A Coward (gulp) but one may pop up in between, I'll let you all know.
Loads of you probably already know that, though. Oh well, Volumes return right where they left off with new single Vahle but with an important topic to get off to get off their chest.
Volumes are an LA metalcore-meets-djent outfit that with their 2011 debut VIA turned all of heads their way. This single picks up where VIA left off, a barrage of charged, heavy-but-melodic music that makes you want to headbang... 24/7.
Vahle touches on the tragic circumstances in which they lost a close friend of the band, James Vahle. It's the reason I want to focus on the lyrics first. The lyrics are not metaphoric or clever. They are the blunt, unrelenting truth. Duel frontmen Michael Barr and Gus Farias lay down the lyric multiple times during the song "and I should have pulled you out of that truck". Lyrics don't get more real than that. Musically it's the same beautiful cacophony of sounds: chugging seven-string guitars, soaring electronics and vocals that can pin you down such is the force. Drumming- wise too the effortless double-bass grooves never let the others get too carried away with speed. They even fancy a little complicated breakdown every now and then... I joke, when they drop, they are huge.
Mediaskare like to release pre-production singles (don't really know why) but anyone would be forgiven for thinking this was a mixed album track. If anyone has ever listened to VIA it means you'll excited to see what Volumes producer and their guitarist Diego Farias does to this track to further the track. If anything like VIA, expect a polished, slick and bass-y as hell mix!
Scheduled for release early 2014, Vahle in it's full produced glory will feature on the record. You'd be mad to miss it, seriously.
Seems as though yesterday I was talking very excitedly about my return to the gig routine, I thought I may as well share some I'm looking forward to.
I've mentioned a few I intend to go to before on here but one tour that got announced just last week has got me rather excited. It's Gnarwolves first headline UK tour! This band caught many underground-scene lovies' attention last year with their brilliant debut EP Cru. DIY punk from a bunch of Cornish guys that now live in Brighton, what's not to like? Support slot after support slot, (including landing a huge support slot to Funeral For A Friend) house gig after house gig, they continue to impress and humour us with goofy, energetic live shows. With their release of their third EP Funemployed this summer the Cornwall trio look to expand the Cru, one basement at a time.
Guess what guys... I'm going to a gig on Thursday!
Holy shit it's been so long (5 months to be exact) but I start my hectic gig schedule starts with The Story So Far in Bristol on Thursday. I very much plan on live reviews being a part of this blog and I apologise for not having any gigs to go to since this blog started. When they drop, I hope you enjoy the live reviews!
Okay, so I've said what I needed to say. So, here's a picture of my cat...
Keeping this one concise, guys. Can't be rambling all the time, can I?
Don Broco are a Bedford four-piece with something up their sleeve that's taking the UK by storm, any US viewers on this blog... LISTEN UP, you need to know these guys! After releasing their highly anticipated debut last year in the form of Priorities, they've captured the hearts of a vary melting pot of music fans. This, their new single You Wanna Know, is released on the cusp of a gigantic UK that involves The Camden Roudhouse, a venue three times the size of their last London show only 6/7 months ago. So, this write up is only really of the single You Wanna Know as the EP is just full of remixes and acoustic stuff.
The song it's self is characteristic of the sound Don Broco have been mastering since their inception in 2009. Power-pop? It may well be. Big, thick slabs of rock riffage over a beat driven rhythm section provides the basis for this whole song. Verses break down into 80's picked guitars and slapped bass, I tell you now heads will be a'bobbing. The lyrics crooned out by the frontman Rob Damiani are literally of the scales cheesy. HOWEVER, used in the context of the song and how it sounds, wholly appropriate. That is the mastery with which Don Broco pull off song after song. So infectious is the groove the OTT dance moves you'll be pulling won't seem out of place or weird at all. This is a band that know exactly what their doing, down to the last note.
I'd highly recommend this band for their sheer enjoyment. Cynicism surrounding all music goes out the window. This will make you smile.
(I haven't done a review on it, but their debut record Priorities is a must listen if you dig this write up!)
I'm back again! School hit me like a ton of bricks this year (I'm a wimp) but I return with more reviews and opinions to share with you wonderful people! Thanks for sticking with me...
As I'm writing this I am listening to the much anticipated release from A Day To Remember. Common Courtesy is self-released and is out now on this here website commoncourtesy.adtrstore.com the physical release date is somewhat vague because of the self-funded nature of the album.
Boy, A Day To Remember aren't half good at what they do, aren't they? This their fifth studio album further solidifies their position in an area of music they totally, totally, dominate. After bursting onto the scene with their sophomore album For Those Who Have A Heart they had tapped into a field of music that was refreshing if, however, slightly controversial. The unusual mix of pop-punk and crushing metalcore/hardcore styles resonates with many people who find ADTR a perfect median between the two.
Album opener City Of Ocala is straight up pop-punk. No bullshitting. Full pop-punk songs was an experiment ADTR conducted on their last record What Separates Me From You. While not perfect on the last release even the first song on this album has the nail hit on the head. While not breakdown laden and heavy, the finest New Found Glory-esque pop rock song is the outcome.
Okay, so pop-punk is not an issue, what about ADTR's heavier side? Has that taken a sideline in favour of their poppier, more accessible songwriting?
Hell no...
This album is filled with a very Homesick type array of pummelling, fist-pumping anthems. Lead single Violence (Enough is Enough) is a perfect example of this renewed angular assault. The edge that many said was missing from their somewhat sugar coated previous record is back with a vengeance. Songs like Sometimes You're The Hammer, Sometimes You're The Nail are nothing new in terms of content but it is the execution that sells this and basically the whole album. Alex Shelnutt's drumming is precise and powerful as he double-basses away in perfect unison with the guitar section made up of Neil Westfall, Kevin Skaff and Joshua Woodard. The licks that penetrate the overriding rhythm are very reminiscent of a certain Parkway Drive (which, as a avid Parkway fan, suites me perfectly). Life Lessons Learned The Hard Way involves singer Jeremy McKinnon's layered screaming over jumping, flying guitar riffs and enough breakdowns to make you break your house... down, pun regrettably intended.
Lets take a step back, though. This is a step in either direction for ADTR. The softer, more melodic songs have also had modification and tweaks made to them. Again, nothing drastically different but more so a band developing their type of music. Right Back At It Again and I'm Already Gone are perfect examples of this. Neither style is hindered by another and on many occations ADTR just do what they do best. Merge the two together.
That's not to say this album doesn't have its faults. The simple fact that the song positions within the album are just not right is a starter. The album flow from one end to the other is sometimes painfully broken up by a misplaced, out-of-place song that, while good as a singular softer song for instance, may not sit well when the song beforehand mad you want to punch walls.
Then there's the issue of Jeremy's voice harmonies. The natural voice of Jeremy McKinnon is that of an angel don't get me wrong. But sometimes the harmonies laid out over the top of many a chorus sound too superficial to even take seriously. Lyrically, yup, he's still fighting 'cause no one can bring him down...
Common Courtesy is the beautiful, expertly executed mash up of a record we were all hoping to hear from the Floridian quintet. Fat has been re injected to the mix and the result is a masterclass of ADTR doing what they do best. What they do best hasn't changed for the last seven years either. A bad thing?
News has filtered through the rock world today of the passing of influential singer/songwriter Lou Reed. He was 71.
